Chard deNiord
Poet Laureate of Vermont (2015-2019)

Chard deNiord is the author of nine books of poetry, most recently, This Ecstasy (forthcoming from Slant, 2026), Westminster West (Tupelo Press, 2025), One As Other (Green Writers Press, 2024), and In My Unknowing (University of Pittsburgh Press, 2020).
He is also the author of three books of interviews with eminent American poets: Sad Friends, Drowned Lovers, Stapled Songs (Marick Press, 2011), I Would Lie To You If I Could (University of Pittsburgh Press, 2018), and Learning To Be Everyone And No One (forthcoming from The University of Alabama Press, 2026).
He is the former Poet Laureate of Vermont (2015-2019), Professor Emeritus of English and Creative Writing at Providence College, co-founder with Gerald Stern and Jacqueline Gens of The New England College MFA Program In Poetry, and cofounder of The Spirit And The Letter Writing Workshop in Patzcuaro, Mexico, with Jacqueline Gens and Thomas Lux.
He lives in Westminster West, Vermont with his wife, Liz.
Recent Books and more
NIGHT MOWING

"Here is a poet with a truly extraordinary verbal imagination. His poems begin in the commonplace and rise-or soar, leap, swell-to the climactic surreal in a few lines. This is aptitude beyond technique, unassailable by the workshopping greenhorns. It is indeed a kind of ecstasy for every and any reader. I recommend Chard deNiord's new book as enthusiastically as I can.”
—Haydun Carruth
“Chard deNiord sees daily life in terms of eternity and interprets it in a modern rendition of the language of the Biblical psalmist, the language of intelligent and controlled ecstasy. In Night Mowing, deNiord seeks to live totally in the moment but with an abiding sense of the eternal, like the bird in his beautiful lyric 'To Hear and Hear,' which sings 'the same sweet song / again and again in the understory'. The result is terrific poetry.”
—Andrew Hudgins
“At times narrative, at times pure song, these lyrics take the bucolic for their territory and trace the regular rhythms of season, day, the human pulse, and life span. Spiritual and primal worlds meet in a space best described by William Empson's late definition of the pastoral, wherein the complex finds expression in the simple and rustic. 'Earth is the right place for love.' Yes, and these poems are beautiful, essential reminders of that truth; boldly they speak to our broken times.”
—Julia Kasdorf